A little while ago I did a profile of 1970s crochet artist Bonnie Meltzer in which she mentioned that she mentioned she’d had work featured in a 1972 book by Dona Z. Meilach chiamato Creazione di arte da fibre e tessuti. Nonostante tutta la ricerca che avevo fatto in uncinetto anni 70 questo lontano, Non avevo mai sentito parlare di Dona Meilach. Non ho idea come che è possibile perché, non appena lei alzò scoprii che lei era un prolifico autore in tutte le aree del mestiere di scrivere, not only in the 1970s but all the way through to the early 21st century. Today let’s take a look at crochet in those vintage books.
Who Was Dona Meilach?
Dona A. Meilach was an author whose books were primarily in the areas of craft and food writing. She was born in 1926 and lived to the age of 80. Her most recent book that I could locate via Amazon is a book on ironwork pubblicato in 2007 shortly after her death. The oldest one that I could locate was her 1970 title Making Contemporary Rugs and Wall Hangings. In between those two she seems to have put out dozens of books, including a number that feature crochet work. I haven’t been able to find out a lot of information about her personally. She has a website that just lets us know that she passed away in 2006. Che ha detto, you can tell from her books that she was very interested in craft, arte, design and also cooking. She did a great service using her work as an author to aggregate, highlight and share the work of amazing artists and makers of all kinds. I imagine she was an interesting woman!
NOTA: After finishing the writing of this post I located a Meilach book older than the 1970 book mentioned above. È un 1964 book called Collage and Found Art that she co-authored with Elvie Ten Hoor.
Creazione di arte da fibre e tessuti (1972)
One of Dona Z. Meilach’s first books was Creazione di arte da fibre e tessuti, che è stata pubblicata in 1972. It is a celebration of the use of fiber in art, something that was just beginning to become popular at this time. In the introduction she says, “Techniques such as quilting, lavoro a maglia, uncinetto, knotting, patchwork, and weaving, which traditionally have produced utilitarian items, are no appearing in works of art that must jolt us out of our complacency about the methods”.
This book has chapters for different techniques including one chapter for crochet and knitting. Before I get into the crochet in this book I just have to say that there are a lot of really fascinating works of art in this book in the other forms as well including a form of fiber meshwork I’d never even heard of called “sprang” (apparently also known as meshwork, knotless netting and Egyptian plaitwork) – something I plan to learn more about! OK, now for the crochet in this 1970s book.
This was the book Bonnie Meltzer was referencing when she mentioned the author and it includes one of my favorite pieces of hers, un pezzo chiamato “Ho sempre voluto essere una bionda piuttosto che una bellezza Raven-Haired”. Si tratta di persone reali all'interno di costumi all'uncinetto – something most of us today would probably think of as being a signature of artists like Olek e Nick Cave but that was being done forty years ago.
The book also has a crochet Christ figure by Jane Knight that reminds me a lot of the amigurumi style of crochet we often see today:
Meilach also shares crochet hangings with us from several artists:
Sylvia Heyden, hanging worked with yak hair handspun by the artist
And she also highlights the use of crochet in jewelry and wearables:
Jeanne Bordman Knorr
Crochet in Basketry (1974)
In 1974 Meilach came out with A Modern Approach to Basketry With Fibers and Grasses, Using Coiling, Twining, Tessitura, Macrame, Uncinetto. The chapter on crochet features unique crochet baskets, similar in style to some of what we see in other books from this time like Mark Dittrick’s Crochet duro but in the specific niche of being made with natural fibers. She features work from multiple artists including:
Susan H. Brown, basketry with removable lids
Lori Kratovil combined crochet and macrame to make this basket
Renie Adams called this Still Life of a Still Life
Meilach also notes that basketry techniques can be applied to make wall sculptures like in this multi-media (con l'uncinetto) piece by Gayle Luchessa
And here’s a basket wall sculpture by Esther Gotthoeffer
Side note: There is also this 1974 book on soft sculpture that I would bet has some crochet in it but I haven’t gotten my hands on a copy yet. You’ll be the first to know when I do!
Exotic Needlework (1978)
In 1978 Meilach co-authored a book with Dee Menagh called Exotic Needlework, With Ethnic Patterns, Tecniche, Inspirations. It offers a comprehensive look at historical uses of needlework around the world. Unlike many of Meilach’s books, this one is more instructional with patterns and information on techniques and that includes a “come all'uncinetto”. It talks a bit about crochet history and also shares photos of some pretty inspiring work. Ad esempio:
Lillian Bryce combined woven squares with crochet to create this outfit inspired by African kente cloth
This crocheted jute bag by Twyla Cottrell was embellished with wooden beads and driftwood for a natural “ethnic-inspired” Guarda
This whimsical doll by Linda St. Marie was crocheted with inspiration from Mexican dolls. Wish we could see the colors!
Janet Martini created dolls using crochet and gourds
Crochet in Meilach’s Newer Books
Dona Z. Meilach’s newer books also featured crochet from time to time. One example I know of is that her 2003 libro Art Jewelry Today has crochet wire work from two different artists:
Crochet collar by Arlene Fisch
Crochet and spool knitting pendant by Barbara Stutman
Now that I’ve discovered Meilach’s books I’ve also discovered the names of lots more crochet artists from the 1970s that I’m planning to research further. Restate sintonizzati!