Edgy 1970′s Hæklet Art: Janet Lipkin Decker

ved KathrynJuni 6, 2012 · 4 kommentarer

i 1970s Hæklet Designere

Post image for Edgy 1970′s Crochet Art: Janet Lipkin Decker

1972, Bird Coat

I first came across the work of Janet Lipkin Decker in my favorite vintage freeform crochet book: Kreativ hækling. In other books that I’ve seen her work, her name is sometimes shown as Janet Decker and sometimes as Janet Lipkin but when I looked her up online I see Janet Lipkin so that is what we’ll go with from here on out.

About Janet Lipkin

Like several of the other artists in the 1970s crochet art-to-wear movement, Lipkin was a graduate of the Pratt Institute art school and amongst those there who set the stage for fiber and artwear to be taken seriously be the art world. She has had her art work in a number of museums including the DeYoung and Oakland Art Museer her i San Francisco Bay Area og Metropolitan Museum og Museum for Kunst og Design i både New York. I 2009 hun fik hædrende omtale pris fra Surface Design Association. Lipkin er i øjeblikket en California kunstlærer og fortsætter med at gøre kunst samt gøre monolitter og malerier.

Janet Lipkin Decker i Creative hækling

janet lipkin crochet coat Edgy 1970s Crochet Art: Janet Lipkin Decker

Bird Coat, med ærme detalje

Janet Lipkin arbejde er præsenteret i bogen Creative hækles specifikt at vise de fantastiske ting, der kan gøres med tre-dimenstional, meget stoflige, skulpturelle hæklede masker. Hendes Bird Coat, der ses også senere i bogen Art to Wear, er featured først her med detaljerede farvefotos af arbejdet. The book explains that she did this piece using wool from Ecuador that was handspun and that she dyed the yarn herself with vegetable dye. The piece is a multi-layered piece; for eksempel, there are the sleeves you see and then a full set of sleeves underneath that can be seen if you lift the first sleeve up. This is truly art to wear!

Janet Decker in Discovery and Design

janet lipkin decker crochet Edgy 1970s Crochet Art: Janet Lipkin Decker

My very favorite piece of Janet Lipkin’s is the only piece she had featured in the book Discovery and Design by Del Feldman. It has the midriff-baring aesthetic that was popular in the 1970s but done in such a unique and fun with the cool wrap around design.

Janet Decker in Crocheter’s Art

There is a section of artist profiles in the Del Feldman’s book The Crocheter’s Art and she has chosen to profile Janet Lipkin there, as well as featuring photos of her work throughout the book. The bio shares that in addition to attending the Pratt Institute, Lipkin had also taking classes at the Penland School of Crafts and was knowledgable in a range of crafts including dyeing, macrame, vævning, strikning og spinding. However she preferred crochet to the others because itthe crochet stitch serves as the most expressive means” og “is virtually limitless and is easily integrated with other media”.

crochet sculpture janet lipkin Edgy 1970s Crochet Art: Janet Lipkin DeckerDouglas

The work from Lipkin that we see in this book is not wearable art, like in the other books, but instead is sculptural animalistic pieces. She says in her bio that she really wants her sculptures embody the spirit of the creature she’s trying to create. This book isn’t a crochet pattern book per se but it does include a sculptural crochet pattern from Lipkin.

Janet Lipkin in Art to Wear

I love the description of Lipkin’s work in Art to Wear when author Julie Schafler Dale says, “her work bespeaks a child’s strength of vision: uncensored, unconditioned, unspoiled, ripe with possibility, sensuality, and ritual”. This book says that Lipkin was the first of the Pratt artists to explore wearable art and considers her a forerunner of the artwear movement.

crochet strawberry jacket Edgy 1970s Crochet Art: Janet Lipkin Decker

1973 Strawberry Jacket; Lipkin wanted to crochet an object (a strawberry) into a wearable garment

Although she had previously done more sculptural work, this book explains that by the early 1970s she was devoting herself entirely to wearable art. The early pieces were designed to be truly artistic creations hung on the body as if it were a painting on a wall. På det tidspunkt. Lipkin was unconcerned with fit and drape but she would go on to care more about those things and to evolve a simpler style in keeping with the times as the seventies went on.

janet lipkin decker crochet coat Edgy 1970s Crochet Art: Janet Lipkin Decker

1970 African Mask

In the early 1980s Lipkin was doing a lot of work that wasn’t crocheted anymore, work that was loom-knitted, for eksempel. This also seems to be in keeping with the trend that most crocheters from the artwear movement were moving towards at this time. What Lipkin liked about knitting, which she didn’t learn until 1978, was that it offered more ability to do graphic work. Art to Wear has some examples of this work and there’s also an example in the book Knitting Art: 150 Innovative Works fra 18 Moderne kunstnere Edgy 1970s Crochet Art: Janet Lipkin Deckerby Karen Searle. Other books that Lipkin has been written about it include: Artwear Fashion and Anti-Fashion og Håndværk i Amerika: Celebrating Two Centuries of Artists and Objects Edgy 1970s Crochet Art: Janet Lipkin Decker.

Fun Find: A 1974 archived newspaper article about Art to Wear author Dale’s gallery that mentions Lipkin.

Janet Lipkin in the 1990s

Janet Lipkin continued to explore different aspects of art, branching out from sculpture and fiber work. I 1992 started doing printmaking and monotypes. She was also raising a family; she has four kids.

Fun Find: 1979 avisartikel about sweaters as art for knitters that mentions Lipkin

Janet Lipkin Today

janet lipkin crochet 400x533 Edgy 1970s Crochet Art: Janet Lipkin Decker

Jester, 2006

An article written last year over at Patch reveals that Janet Lipkin has spent nearly the past two decades teaching art at Tehiyah Day School; she has sometimes taught crochet to kids there. She also helped found a summer camp to empower young girls in the arts. You can visit Janet Lipkin på hendes hjemmeside, where you can see her most recent artwear as well as her other recent artwork. I think her recent artwork shows a lovely maturity where she’s got the bold colors and big ideas of her early work, a bit of the graphic inspiration from her later work and a nice sense of draping and fit.

janet lipkin flower crochet coat 400x533 Edgy 1970s Crochet Art: Janet Lipkin Decker

Bloom, 2005

Fun Find: History of Wearable Art that mentions Lipkin

1970s crochet Edgy 1970s Crochet Art: Janet Lipkin Decker

Dette indlæg er en del af en serie om 1970s hæklede designere. Visit the other posts in the series to see crochet designers like Jean Williams Cacicedo, Ruth Nivola and Sharron Hedges. Fun Fact: Janet Lipkin was at one times roommates with Jean Williams Cacicedo.

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Ligesom dette indlæg, bedes ramme aktien knap! Virkelig elsker, hvad jeg laver med hækling concupiscence? Abonner på hækling concupiscence via e-mail


  1. [...] designere har hæklet 1970'erne. Besøg de andre stillinger i serien for at se hæklede designere som Janet Lipkin Decker, Norma Minkowitz og Del Feldman. BufferIf du haft denne post, bedes ramme aktien [...]

  2. [...] blevet kendt for, som en del af en Halloween kostume til en fest i huset af stipendiaten crocheter Janet Lipkin. Hun elskede at arbejde med farver og udforske strukturelle stykker. Senere begyndte hun at arbejde i [...]

  3. [...] i 1960s/70s. Hun mødte nogle af de hæklede kunstnere, der ville blive populær på det tidspunkt, ligesom Janet Lipkin og Sharron Hedges, når hun postet en annonce for en babysitter på skolen. Disse designere inspirerede [...]

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